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<listofworks>
<work>
  <title>Concert Piece II</title>
  <titledate>(2005)</titledate>
  <category>ORCHESTRAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>12'</duration>
  <reclabel>NW 80709</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Amy Advocat, Michael Norsworthy, clts; Boston Modern Orchestra , Gil Rose, cond.</performer>
  <orchestration>2 clts. Soli, with small orchestra</orchestration>
  <firstperf>Jordan Hall, Boston, 25 Jan, 2008</firstperf>
</work>
<work>
  <title>Concert Piece</title>
  <titledate>(1990)</titledate>
  <category>ORCHESTRAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>15'</duration>
  <reclabel>NW CR 643</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Anne Black, vla; Suellen Hershman,flt; Ian Greitzer, clt; Beth Pearson, vlnc; Pro Arte Chamber Orch. of Boston; Gisele Ben-Dor, cond.</performer>
  <orchestration>viola solo, with flute clarinet, cello, and small orchestra</orchestration>
  <firstperf>Sanders Theatre, Cambridge, 1 March 1992</firstperf>
  <commissioned>commissioned by: Anne Black, Pro Arte Chamber Orchestra</commissioned>
</work>
<work><title>Night Unto Night</title>
<titledate>(1984)</titledate>
<category>ORCHESTRAL MUSIC</category>
<mode>72-note music</mode>
<duration>20' ca.</duration>
<orchestration>3 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns, 2 trombones</orchestration></work>
<work>
  <title>Pictures for an Institution</title>
  <titledate>(1983)</titledate>
  <category>ORCHESTRAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>5' ca.</duration>
  <performer>NEC JYCO; James Bergin, cond.</performer>
  <orchestration>chamber orchestra (2222/2200/tymp, strings)</orchestration>
  <note>5 Short Pieces for the Junior Youth Chamber Orchestra of the New England Conservatory Extension Division</note>
  <firstperf>Brown Hall, NEC, June 1983</firstperf>
  <commissioned>commissioned by: NEC Youth Chamber Orchestra</commissioned>
</work>
<work>
<title>yr obedt servt II</title>
<titledate>(1981)</titledate>
<category>ORCHESTRAL MUSIC</category>
<mode>72-note music</mode>
<duration>11'30" ca.</duration>
<publisher>Frogpeak</publisher>
<note>(enlarged version of Yr Obedt Servt)</note>
<orchestration>2 clts, vln., vlnc, with 2 bssns, 2 hrns, 2 trbns, 2 marimbas, 4 or 5 vlns, 2 vlas, vlnc., db</orchestration>.</work>
<work>
  <title>Yr Obedt Servt</title>
  <titledate>(1977)</titledate>
  <category>ORCHESTRAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>10'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex; Scott Wheeler, cond</performer>
  <orchestration>2 clt, vln, vlnc; with flt, alto flt, hrn, trbn, vlln, vla, db, quitar, 2 marimbas</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, Jan, 1978</firstperf>
</work>
<work>
  <title>Longfellow Sparrow</title>
  <titledate>(1976)</titledate>
  <category>ORCHESTRAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>30'</duration>
  <orchestration>5 flts, 5 clts., 3 trpts, 5trbns.</orchestration>
  <commissioned>commissioned by: Cambridge Arts Council</commissioned>
</work>
<work>
  <title>Landscapes</title>
  <titledate>(2008)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>12' ca.</duration>
  <publisher>Frogpeak</publisher>
  <performer>Boston Musica Viva, Richard Pittman, cond.</performer>
  <orchestration>flt, clt, vln, vla, vlnc</orchestration>
  <firstperf>Boston Mass, 14 November 2008</firstperf>
</work>
<work>
  <title>-- furthermore...</title>
  <titledate>(2005)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>5' ca.</duration>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex, (Anne Black, vla; Ian Greitzer, clt)</performer>
  <orchestration>clt, vla</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston,10 April 2005</firstperf>
  <commissioned>commissioned by: Dinosaur Annex</commissioned>
</work>
<work>
  <title>Musing and Reminiscence</title>
  <titledate>(2003)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>13' ca.</duration>
  <publisher>Frogpeak</publisher>
  <performer>Boston Musica Viva, Richard Pittman, cond</performer>
  <orchestration>flt, clt, vln, vla, vlnc</orchestration>
  <firstperf>Boston Mass, 21 Nov. 2003</firstperf>
  <commissioned>commissioned by: Boston Music Viva</commissioned>
</work>
<work>
  <title>String quartet #5</title>
  <titledate>(2000)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>12' ca</duration>
  <publisher>Frogpeak</publisher>
  <performer>The Pacifica Quartet</performer>
  <orchestration>str. 4tet.</orchestration>
  <firstperf>Tucson Ariz, 19 Nov. 2003</firstperf>
<commissioned>commissioned by:   Arizona Friends of Chamber Music</commissioned>
</work>
<work>
  <title>Party of Five</title>
  <titledate>(1988)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>5'</duration>
  <orchestration>flt, clt, ob., bssn, hrn</orchestration>
</work>
<work>
  <title>Duo 97</title>
  <titledate>(1997)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>11'</duration>
  <performer>Dinosaur Annex, (Anne Black, vla; Ian Greitzer, clt)</performer>
  <orchestration>clt, vla.</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, 28 April 2002</firstperf>
</work>
<work>
  <title>Duo</title>
  <titledate>(1996)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>11'</duration>
  <orchestration>vla, vlnc</orchestration>
</work>
<work>
  <title>Stanzas</title>
  <titledate>(1995)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>10'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex, Ezra Sims, cond</performer>
  <orchestration>flt, 3 clts, cla, vlnc</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, 7 May 1995</firstperf>
  <commissioned>commissioned by: Dinosaur Annex</commissioned>
</work>
<work>
  <title>Invocation</title>
  <titledate>(1992)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>6'</duration>
  <performer>IMS, Bernhard Grossenbacher, cond.</performer>
  <orchestration>3 flts, voice, vla, double bass, quarter-tone guitar</orchestration>
  <firstperf>Franz&#246;ische Kirche, Bern, 12 Feb 1993</firstperf>
<commissioned>commissioned by:   International Microtone Society, Bern</commissioned>
</work>
<work>
  <title>Duo</title>
  <titledate>(1992)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>12</duration>
  <publisher>Frogpeak</publisher>
  <performer>Suellen Hershman,flt; Michael Curry,vlnc</performer>
  <orchestration>flt., vlnc.</orchestration>
  <firstperf>Teyler Stichting, Haarlem, 2 Oct 1994</firstperf>
  <commissioned>commissioned by: Theodore Mook</commissioned>
</work>
<work>
  <title>Duo</title>
  <titledate>(1992)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>12</duration>
  <publisher>Frogpeak</publisher>
  <performer>Rohan Gregory, vln; Dan Levin, vlnc.</performer>
  <orchestration>vln, vlnc</orchestration>
  <firstperf>Killian Hall, MIT, 16 Jan 2000</firstperf>
</work>
<work>
  <title>Night Piece:In Girum Imus Nocte et Consumimur Igni</title>
  <titledate>(1989)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>17'</duration>
  <reclabel>CRI 643</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex (Suellen Hershman, flt; Ian Greitzer, clt; Anne Black, vla; Michael Curry, vlnc; Don Berman, electronic sound, conductor)</performer>
  <orchestration>flt, clt, vla, vlnc, electronic sound</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, Oct. 1989</firstperf>
  <commissioned>commissioned by: Dinosaur Annex</commissioned>
</work>
<work>
  <title>Flight</title>
  <titledate>(1989)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>6'35"</duration>
  <reclabel>CRI 643</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Hanneke Provily,flt</performer>
  <orchestration>flt, electronic sound</orchestration>
  <firstperf>Teyler Stichting, Haarlem, May 1989</firstperf>
  <commissioned>commissioned by: Hanneke Provily</commissioned>
</work>
<work>
  <title>AEDM in memoriam</title>
  <titledate>(1988)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>5'</duration>
  <reclabel>NW 80709</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Theodore Mook, vlnc</performer>
  <orchestration>vlnc solo</orchestration>
  <firstperf>Fine Arts Center, Univ of R.I., August, 1989</firstperf>
<commissioned>commissioned by: Theodore Mook</commissioned>
</work>
<work>
  <title>Solo in four movements</title>
  <titledate>(1987)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>14'</duration>
  <reclabel>CRI 643</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Theodore Mook, vlnc</performer>
  <orchestration>vlnc solo</orchestration>
  <firstperf>CAMI Hall, NYC, May 1988</firstperf>
<commissioned>commissioned by:   Theodore Mook</commissioned>
</work>
<work>
  <title>Chase</title>
  <titledate>(1987)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>8'</duration>
  <publisher>Frogpeak</publisher>
  <orchestration>clt solo</orchestration>
</work>
<work>
  <title>Quintet</title>
  <titledate>(1987)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>16'</duration>
  <reclabel>CRI 643</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex (Ian Greitzer,clt; Cynthia Stutt, Julie Leven, vlns; Anne Black, vla; Arnold Friedman, vlnc</performer>
  <orchestration>clt, 2 vlns, vla, vlnc</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, March 1988</firstperf>
  <commissioned>commissioned by: Ian Greitzer</commissioned>
</work>
<work>
  <title>Wedding Winds</title>
  <titledate>(1986)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>3'</duration>
  <performer>Ian Greitzer, Dianne Heffner, Kathy Matasy, clts</performer>
  <orchestration>3 clts</orchestration>
  <firstperf>Decordova Museum, August, 1986 (The wedding of Anne Black and Frank Cunningham)</firstperf>
</work>
<work>
  <title>String Quartet #4</title>
  <titledate>(1984)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>15'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Huyghens Quartet</performer>
  <orchestration>2 vlns, vla, vlnc</orchestration>
  <firstperf>de Ysbrekker, Amsterdam, 3 Nov. 1994</firstperf>
  <commissioned>commissioned by: Koussevitsky Foundation</commissioned>
</work>
<work>
  <title>This Way to the Egress or Manners Makyth Man</title>
  <titledate>(1983)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <publisher>Frogpeak</publisher>
  <duration>21'</duration>
  <performer>Dinosaur Annex (Janet Packer, vln; Anne Black, vla; Michael Curry, vlnc)</performer>
  <orchestration>vln, vla, vlnc</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, Feb. 1984</firstperf>
  <commissioned>commissioned by: Dinosaur Annex</commissioned>
</work>
<work>
  <title>Brief Elegies</title>
  <titledate>(1983)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>6'</duration>
  <performer>Newband; Dean Drummond, cond.</performer>
  <orchestration>flt and zoomoozophone,w/clt, bsn, trbn, db</orchestration>
  <firstperf>Theater of the Open Eye, NYC, April, 1985</firstperf>
  <commissioned>commissioned by: Newband</commissioned>
</work>
<work>
  <title>Sextet a</title>
  <titledate>(1983)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>24'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex (Ian Greitzer, Diane Heffner, Kathy Matasy, clts; Janet Packer, vln; Anne Black, vla; Michael Curry, vlnc</performer>
  <note>version of Sextet (1981)</note>
  <orchestration>3 clts., vln, vla, vlnc</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, 14 Oct, 1984</firstperf>
</work>
<work>
  <title>Tune and Variations</title>
  <titledate>(1983)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>4'30"</duration>
  <publisher>Frogpeak</publisher>
  <orchestration>1 or 2 french horns</orchestration>
</work>
<work>
  <title>Quartet</title>
  <titledate>(1982)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>13'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex (David Whiteside, flt; Janet Packer, vln; Anne Black, vla; Mark Simcox, vlnc)</performer>
  <orchestration>flt, vln, vla, vlnc</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, Jan 1983</firstperf>
  <commissioned>commissioned by: Dinosaur Annex</commissioned>
  </work>
<work>
  <title>Solo After Sextet</title>
  <titledate>(1981)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>15'</duration>
  <orchestration>saxophone solo</orchestration>
</work>
<work>
  <title>Phenomena</title>
  <titledate>(1981)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>18'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Boston Musica Viva; Richard Pittman, cond.</performer>
  <orchestration>flt, clt, vln, vla, vlnc</orchestration>
  <firstperf>Sanders Theatre, Cambridge, March 1982</firstperf>
  <commissioned>commissioned by: Boston Music Viva</commissioned>
</work>
<work>
  <title>Sextet</title>
  <titledate>(1981)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>24'</duration>
  <reclabel>Northeastern NR 224</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex (Ian Greitzer, clt; Kenneth Radnofsky, sax; Tomas Haunton, horn; Janet Packer, vln; Anne Black, vla; Theodore Mook, vlnc; Ezra Sims, cond)</performer>
  <orchestration>clt, alto sax, horn, vln, vla, vlnc</orchestration>
  <firstperf>Ist &#38; IInd Church, Boston, March 1982</firstperf>
</work>
<work>
  <title>Two for One</title>
  <titledate>(1980)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>10'</duration>
  <reclabel>Northeastern NR 224</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex (Janet Packer,vln; Anne Black, vla)</performer>
  <orchestration>vln and vla</orchestration>
  <firstperf>Somerville Public Library, March 1981</firstperf>
</work>
<work>
  <title>Ruminations</title>
  <titledate>(1980)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>10'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Tim Smith,clt</performer>
  <orchestration>solo clt</orchestration>
  <firstperf>Bowdoin College, Feb 1988</firstperf>
</work>
<work>
  <title>All Done From Memory</title>
  <titledate>(1980)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>11'</duration>
  <reclabel>Northeastern NR 224</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Janet Packer, vln</performer>
  <orchestration>vln solo</orchestration>
  <firstperf>Haus Paula Schmidt, Ernen, July 1980</firstperf>
  <commissioned>commissioned by: Janet Packer</commissioned>
</work>
<work>
  <title>and, as I was saying&#8230;</title>
  <titledate>(1979)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>5'</duration>
  <reclabel>Northeastern NR 224</reclabel>
  <publisher>Frogpeak/Corpus Microtonale</publisher>
  <performer>Aaron Picht, vla</performer>
  <orchestration>vla solo</orchestration>
  <firstperf>Institute of Contemporary Art, Boston, June 1979</firstperf>
  <commissioned>commissioned by: Aaron Picht</commissioned>
</work>
<work>
  <title>Midorigaoka</title>
  <titledate>(1978)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>15'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Noda Teruyuki,cond.</performer>
  <orchestration>2 vlns, 2 vlas, vlnc</orchestration>
  <firstperf>Japan Composers Assoc., Tokyo, Feb 1979</firstperf>
  <commissioned>Kijima Masataka</commissioned>
</work>
<work>
  <title>Twenty Years After</title>
  <titledate>(1978)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>10'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex (Kathy Matasy, clt; Janet Packer, vln)</performer>
  <orchestration>clt, and vln</orchestration>
  <firstperf>Institute of Contemporary Art, Boston, Oct 1978</firstperf>
</work>
<work>
  <title>Celebration of Dead Ladies</title>
  <titledate>(1976)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <text>text: F. R. Higgins</text>
  <duration>12'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Boston Music Viva; Gloria Raymond, mezzo; Richard Pittman, cond)</performer>
  <orchestration>voice, alto flt, basset clt, (or clt in A), vla, vlnc</orchestration>
  <firstperf>Longy School of Music, November 1989</firstperf>
</work>
<work>
  <title>Oboe Quartet</title>
  <titledate>(1971-75)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>13'30"</duration>
  <note>SEE: Flourish (1975), II Variations (1973), and From an Oboe Quartet (1973)</note>
  <orchestration>oboe, vln. vla, vlnc</orchestration>
</work>
<work>
  <title>Flourish</title>
  <titledate>(1975)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>1'30"</duration>
  <publisher>Frogpeak</publisher>
  <performer>Dinosaur Annex (Peggy Pearson, ob; Janet Packer, vln; Linda Kirkwood, vla; Deborah Thompson, vlnc)</performer>
  <orchestration>oboe, vln, vla, vlnc</orchestration>
  <firstperf>Old South Meeting House, Boston, March, 1976</firstperf>
</work>
<work>
  <title>String Quartet #2</title>
  <titledate>(1962) (1974)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>30'</duration>
  <reclabel>CRI 784</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Boston Musica Viva; Richard Pittman, cond;</performer>
  <orchestration>flt, clt, vln, vla, vlnc.</orchestration>
  <firstperf>Longy School, April, 1975 (1st mvt.) Longy School, Feb. 1976 (whole work)</firstperf>
  <commissioned>commissioned by: Boston Music Viva</commissioned>
  <note>NB: FOR MY ACTUAL SECOND STRING QUARTET, SEE 5 Sonate, UNDER Sonate Concertante</note>
</work>
<work>
  <title>Second Thoughts</title>
  <titledate>(1974)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>5'</duration>
  <performer>Alan Nagel, Barbara Schultz, dbs; with db trio and magnetic tape</performer>
  <orchestration>1, 2, or many double basses</orchestration>
  <firstperf>Brown Hall, NE Conservatory, Feb, 1974</firstperf>
</work>
<work>
  <title>II variations</title>
  <titledate>(1973)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>5'</duration>
  <publisher>Frogpeak</publisher>
  <performer>Ken Roth, ob; Janet Packer, vln;David Schreiber, vla; Deborah Thompson, vlnc</performer>
  <orchestration>ob, vln, vla, vlnc</orchestration>
  <firstperf>MUSIC HERE AND NOW, MFA, BOSTON, May 1974</firstperf>
</work>
<work>
  <title>From an Oboe Quartet</title>
  <titledate>(1971)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>7'</duration>
  <orchestration>Computer realisation</orchestration>
  <firstperf>AI Lab, MIT, 1971</firstperf>
</work>
<work>
  <title>Octet for Strings</title>
  <titledate>(1964)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>72-note music</mode>
  <duration>17'</duration>
  <publisher>Frogpeak</publisher>
</work>
<work>
  <title>Third Quartet</title>
  <titledate>(1962)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>quarter-tone music</mode>
  <duration>25'</duration>
  <reclabel>CRI784</reclabel>
  <publisher>Frogpeak</publisher>
  <performer>Lenox Quartet string quartet</performer>
  <firstperf>Carnegie Recital Hall, 1965</firstperf>
  <commissioned>commissioned by: The Endicott Fund</commissioned>
</work>
<work>
  <title>Sonate concertante</title>
  <titledate>(1961)</titledate>
  <category>CHAMBER MUSIC</category>
  <mode>quarter-tone music</mode>
  <duration>11'</duration>
  <publisher>Frogpeak</publisher>
  <note>octet version: (each quartet may be performed separately)</note>
  <orchestration>string quartet, oboe, vla, vlnc, db.</orchestration>
  <performer>5 Sonate: Joseph Schor, Alan Ohms, vlns; Jack Glick, vla; Joseph Tekula, vlnc; <![CDATA[<br />]]>5 Sonatine: Judith Martin, ob; Lamarre Alsop, vla; Evalyn Steinbock, vc; B Wilson, db <![CDATA[<br />]]>Ralph Shapey, cond.</performer>
  <firstperf>Music In Our Time 1900-1961, April 1961</firstperf>
</work>
<work>
  <title>Im Mirabell</title>
  <titledate>(2008)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>12'</duration>
  <note>(enlarged version)</note>
  <publisher>Frogpeak</publisher>
  <text>texts: Georg Trakl, Frierich Nietzsche</text>
  <performer>Avery Griffin, bar; NotaRiotous James Bergin, cond</performer>
  <orchestration>baritone, flt, clt, vln, vla, vlnc</orchestration>
  <firstperf>St. Pauls Cathedral, Boston, Mass, 20 April 2008</firstperf>
</work>
<work>
  <title>Im Mirabell</title>
  <titledate>(2006)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>3'</duration>
  <publisher>Frogpeak</publisher>
  <text>texts: Georg Trakl</text>
  <performer>Avery Griffin, bar; NotaRiotous,James Bergin, cond.</performer>
  <orchestration>baritone, flt, clt, vln, vla, vlnc</orchestration>
  <firstperf>Killian Hall, MIT, 2006</firstperf>
</work>
<work>
  <title>Encores: Three Parlor Songs</title>
  <titledate>(2000)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>6'</duration>
  <text>texts: Firbank, Lear, Chivers</text>
  <performer>Christina Ascher, alto; Christoph von Erffa, vlnc</performer>
  <orchestration>alto, vlnc</orchestration>
  <firstperf>Deutsch-Amerikanisches Institut, Heidelberg, 29 May, 2000</firstperf>
</work>
<work>
  <title>Two Encores</title>
  <titledate>(1997)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <subtitle>I. Sentir avec ardeur</subtitle>
  <subtitle>II. Vocalise</subtitle>
  <text>text: Marie-Franoise-Catherine de Beaureau</text>
  <duration>5'</duration>
  <publisher>Frogpeak</publisher>
  <orchestration>mezzo, vlnc</orchestration>
</work>
<work>
  <title>If I Told Him</title>
  <titledate>(1996)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>12'</duration>
  <publisher>Frogpeak</publisher>
  <text>text: Gertrude Stein</text>
  <orchestration>alto, vlnc</orchestration>
  <performer>Christina Ascher, alto; Christoph von Erffa, vlnc</performer>
  <firstperf>Akademie fr Musik, Darmstadt, Feb 1997</firstperf>
<commissioned>commissioned by:   Christina Ascher and Christoph von Erffa</commissioned>
</work>
<work>
  <title>The Conversions</title>
  <titledate>(1985)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>12'</duration>
  <publisher>Frogpeak</publisher>
  <text>text: Harry Mathews</text>
  <performer>Ariel; Christopher Fulkerson, cond</performer>
  <orchestration>SSAATTBB Soli</orchestration>
  <firstperf>Trinity Chapel, Berkeley, Calif, June 1986</firstperf>
  <commissioned>commissioned by: Ariel</commissioned>
</work>
<work>
  <title>Song</title>
  <titledate>(1980)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>4'30"</duration>
  <publisher>Frogpeak</publisher>
  <text>text: W.H.Auden</text>
  <performer>Gertraud Steinkugler-Wurzinger, sop</performer>
  <orchestration>mezzo, clt, vla</orchestration>
  <firstperf>Internationale Gesellschaft für Ekmelische Musik; Saalfelden, Aug. 1994</firstperf>
</work>
<work>
  <title>The Lullaby in Come Away</title>
  <titledate>(1980)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>2'30"</duration>
  <publisher>Frogpeak</publisher>
  <orchestration>mezzo, vla/vln</orchestration>
</work>
<work>
  <title>5 Songs</title>
  <titledate>(1979)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>14'</duration>
  <publisher>Frogpeak</publisher>
  <text>texts: Nashe, Herrick, Fletcher,Ford, Donne</text>
  <orchestration>alto, vla</orchestration>
</work>
<work>
  <title>Come Away</title>
  <titledate>(1978)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>72-note music</mode>
  <duration>20'</duration>
  <reclabel>CRI 578</reclabel>
  <publisher>Frogpeak</publisher>
  <text>texts: Campion, Fletcher, Hardy, Whitman</text>
  <orchestration>mezzo, vla, clt, w/ alto flt, french horn, trbn, db</orchestration>
  <performer>Dinosaur Annex; Laurel Stavis, mezzo; Scott Wheeler, cond.</performer>
  <firstperf>Ist &#38; IInd Church, Boston, March, 1979</firstperf>
</work>
<work>
<title>Aeneas On the Saxophone</title>
<titledate>(1977)</titledate>
<category>VOCAL/CHORAL MUSIC</category>
<mode>72-note music</mode>
<duration>1'35"</duration>
<publisher>Frogpeak</publisher>
<text>text: Osbert Lancaster</text>
<orchestration>SATB soli, 2 clts., french hrn, trbn, vla, db</orchestration>
<performer>Dinosaur Annex; Rodney Lister, cond</performer>. 
<firstperf>Ist &#38; IInd Church, Boston, Jan 1978</firstperf></work>
<work>
<title>Elegie nach Rilke</title>
<titledate>(1976)</titledate>
<category>VOCAL/CHORAL MUSIC</category>
<mode>72-note music</mode>13'45" 
<duration>CRI 784</duration>
<publisher>Frogpeak</publisher>
<text>text: Rainer Maria Rilke</text>
<orchestration>soprano, flt, clt, vln, vla, vlnc</orchestration>
<performer>Boston Music Viva; Elsa Charlston, sop; Richard Pittman, cond.</performer>
<firstperf>Longy School of Music, November 1976</firstperf>
<commissioned>commissioned by: Goethe Institute of Boston</commissioned>
</work>
<work>
<title>In Memoriam Alice Hawthorne</title>
<titledate>(1967)</titledate>
<category>VOCAL/CHORAL MUSIC</category>
<mode>72-note music</mode>9' 
<publisher>Frogpeak</publisher>
<text>texts: Edward Gorey</text>
<orchestration>tenor, baritone, narrator, 4 clts., french hrn, marimba 4-hands (or 2 marimbas)</orchestration>
<performer>Dinosaur Annex; Raymond Hardin, ten; Gilbert High, bar; Ezra Sims, nar; Eric Culver, cond</performer>
<firstperf>Mass College of Art, Boston, Jan 1977</firstperf></work>
<work>
  <title>Cantata III</title>
  <titledate>(1963)</titledate>
  <category>VOCAL/CHORAL MUSIC</category>
  <mode>quarter-tone music</mode>
  <duration>6'</duration>
  <orchestration>mezzo, percussion</orchestration>
  <text>texts: various Indian, Chinese, Japanese, and Anglo-Saxon</text>
  <commissioned>commissioned by: Cathy Berberian</commissioned>
</work>
</listofworks>