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<listofworks>
  <work>
    <title>Collage XIII (The Inexcusable)</title>
    <titledate>(1977)</titledate><category>TAPE MUSIC</category>
    <duration>15'</duration>
    <choreographer>choreography: Jane Plum</choreographer>
    <orchestration>tape collage</orchestration>
    <performer>Jane Plum &#38; dancers</performer>
    <firstperf>Presser Auditorium, Illinois Wesleyan Univ, March, 1977</firstperf>
  </work>
  <work>
    <title>Behold Icarus</title>
    <titledate>(1975)</titledate><category>TAPE MUSIC</category>
    <duration>41'30"</duration>
    <performer>Johnny Seitz, Carla Montagno, et al.</performer>
    <orchestration>combine tape</orchestration>
    <firstperf>Joy of Movement Center, Cambridge, Mass. April, 1975</firstperf>
  </work>
  <work>
    <title>After Lyle or Untitled</title>
    <titledate>(1975)</titledate><category>TAPE MUSIC</category>
    <duration>11'44"</duration>
    <choreographer>choreography: Toby Armour (Fragments of Garden)</choreographer>
    <orchestration>musique concrète</orchestration>
    <performer>New England Dinosaur Dance Company</performer>
    <firstperf>Lucy Wheelock Auditorium, Wheelock College, April,1975</firstperf>
    <commissioned>commissioned by: Toby Amour</commissioned>
  </work>
  <work>
    <title>Where the Wild Things Are</title>
    <titledate>(1973)</titledate><category>TAPE MUSIC</category>
    <duration>51'</duration>
    <text>text: Maurice Sendak</text>
    <choreographer>choreography: Toby Armour</choreographer>
    <orchestration>narrator &#38; combine tape</orchestration>
    <performer>Ezra Sims, nar., New England Dinosaur</performer>
    <firstperf>Lucy Wheelock Auditorium, Wheelock College, Oct., 1973</firstperf>
    <commissioned>commissioned by: New England Dinosaur Dance Company</commissioned>
  </work>
  <work>
    <title>Wall to Wall</title>
    <titledate>(1972)</titledate><category>TAPE MUSIC</category>
    <duration>20'</duration>
    <orchestration>concrète/collage</orchestration>
    <firstperf>MUSIC HERE AND NOW Museum of Fine Arts, Boston, 1972</firstperf>
  </work>
  <work>
    <title>Museum Piece</title>
    <titledate>(1972)</titledate><category>TAPE MUSIC</category>
    <duration>16'15"</duration>
    <note>(accompaniment for the display of artifacts and photographs of New Guinea collected by Carol Beckwith)</note>
    <orchestration>tape collage</orchestration>
    <firstperf>Museum of Fine Arts, Boston, June, 1972</firstperf>
    <commissioned>commissioned by: Carol Beckwith</commissioned>
  </work>
  <work>
    <title>Ground Cover</title>
    <titledate>(1972)</titledate><category>TAPE MUSIC</category>
    <duration>5'</duration>
    <choreographer>choreography: Toby Armour</choreographer>
    <orchestration>combine tape</orchestration>
    <performer>Deborah Lee</performer>
    <firstperf>Theater for the New City, 1972 (Dancing Ladies)</firstperf>
    <commissioned>commissioned by: Toby Amour</commissioned>
  </work>
  <work>
    <title>5 Toby Minutes plus 49.5</title>
    <titledate>(1971)</titledate><category>TAPE MUSIC</category>
    <duration>5'49.5"</duration>
    <note>(Includes Two Toby Minutes I)</note>
    <orchestration>combine tape</orchestration>
    <choreographer>choreography:Toby Armour (Brick Layers)</choreographer>
    <performer>New England Dinosaur</performer>
    <firstperf>Lucy Wheelock Auditorium, Wheelock College, Dec., 1971</firstperf>
    <commissioned>commissioned by: Toby Amour</commissioned>
  </work>
  <work>
    <title>Two Toby Minutes I, II, &#38; III</title>
    <titledate>(1971)</titledate><category>TAPE MUSIC</category>
    <duration>2'ea.</duration>
    <orchestration>combine tape</orchestration>
  </work>
  <work>
    <title>Tango Variations</title>
    <titledate>(1971)</titledate><category>TAPE MUSIC</category>
    <duration>12'28"</duration>
    <orchestration>combine tape</orchestration>
    <firstperf>MUSIC HERE AND NOW Museum of Fine Arts, Boston, 1973</firstperf>
  </work>
  <work>
    <title>Temptation</title>
    <titledate>(1971)</titledate><category>TAPE MUSIC</category>
    <note>(Introduction to and interludes between four recorded tangos)</note>
    <orchestration>combine tape</orchestration>
    <choreographer>choreography: Lois Ginandes</choreographer>
    <performer>New England Dinosaur</performer>
    <firstperf>Lucy Wheelock Auditorium, Wheelock College, Dec., 1972</firstperf>
  </work>
  <work>
    <title>Interlope</title>
    <titledate>(1971)</titledate><category>TAPE MUSIC</category>
    <duration>20'23"</duration>
    <subtitle>I. Distraction With Boings</subtitle>
    <subtitle>II. Greater Marches Than These</subtitle>
    <subtitle>III. And Overtures</subtitle>
    <orchestration>collage/concrète</orchestration>
    <choreographer>choreography: Toby Armour</choreographer>
    <firstperf>New England Dance Theatre Parker St. 470, Boston, Dec., 1970</firstperf>
    <commissioned>commissioned by: Toby Amour</commissioned>	
  </work>
  <work>
    <title>&#8230;including the&#8230;</title>
    <titledate>(1971)</titledate><category>TAPE MUSIC</category>
    <duration>23'30"</duration>
    <choreographer>choreography: Kevin Dewey (Hemorrhage)</choreographer>
    <orchestration>musique concrète</orchestration>
    <performer>Goulue Mecanique</performer>
    <firstperf>Mass College of Art, Nov., 1970</firstperf>
    <commissioned>commissioned by: Kevin Dewey</commissioned>
  </work>
  <work>
    <title>Elina's Piece</title>
    <titledate>(1970)</titledate><category>TAPE MUSIC</category>
    <duration>25'</duration>
    <choreographer>choreography: Elina Mooney (Hard Edge: Dance for Elina &#38; Christopher)</choreographer>
    <orchestration>computer-generated sound/musique concrète</orchestration>
    <performer>Elina Mooney, Christopher Beck</performer>
    <firstperf>The Cubiculo, Nov., 1970</firstperf>
    <commissioned>commissioned by: Elina Mooney</commissioned>
  </work>
  <work>
    <title>Landscape II: 7 July 70 (Parker 470)</title>
    <titledate>(1970)</titledate><category>TAPE MUSIC</category>
    <duration>21'</duration>
    <orchestration>musique concrète</orchestration>
  </work>
  <work>
    <title>Clement Wenceslaus Lothaire Nepomucene, Prince Metternich (1773-1859) IN MEMORIAM</title>
    <titledate>(1970)</titledate><category>TAPE MUSIC</category>
    <duration>21'39"</duration>
    <choreographer>choreography: Toby Armour (Abalone Co)</choreographer>
    <orchestration>combine tape</orchestration>
    <performer>Toby Armour &#38; Company</performer>
    <firstperf>Parker St. 470, Boston, July , 1970</firstperf>
    <commissioned>commissioned by: Toby Amour</commissioned>
  </work>
  <work>
    <title>Summer Piece: homage to Gene Krupa</title>
    <titledate>(1970)</titledate><category>TAPE MUSIC</category>
    <duration>5'22"</duration>
    <choreographer>choreography: James Waring</choreographer>
    <orchestration>musique concrète</orchestration>
    <firstperf>Indian Hill School, 1970</firstperf>
  </work>
  <work>
    <title>Pastorale</title>
    <titledate>(1970)</titledate><category>TAPE MUSIC</category>
    <duration>18'30"</duration>
    <choreographer>choreography: Toby Armour</choreographer>
    <orchestration>combine tape</orchestration>
    <performer>Toby Armour, Bruce de St.Croix, Jan Houston</performer>
    <firstperf>The Cubiculo, June, 1970</firstperf>
  </work>
  <work>
    <title>More Overture and Another Interlude</title>
    <titledate>(1970)</titledate><category>TAPE MUSIC</category>
    <duration>3'</duration>
    <note>[additional material for the new version of Spookride SEE: A Frank Overture, etc., (1969) ]</note>
    <choreographer>choreography: James Waring</choreographer>
    <firstperf>Pennsylvania Ballet, Oct., 1970</firstperf>
  </work>
  <work>
    <title>Real Toads</title>
    <titledate>(1970)</titledate><category>TAPE MUSIC</category>
    <duration>24'30"</duration>
    <choreographer>choreography: Cliff Keuter (Now Is The Hour In the Wild Garden Grown Blessed)</choreographer>
    <orchestration>musique concrète</orchestration>
    <performer>Cliff Keuter &#38; Dance Company</performer>
    <firstperf>Manhattan School of Music, 1970</firstperf>
    <commissioned>commissioned by: Cliff Keuter</commissioned>
  </work>
  <work>
    <title>Warts and All</title>
    <titledate>(1969)</titledate><category>TAPE MUSIC</category>
    <choreographer>choreography: Cliff Keuter (The Game Man And the Ladies)</choreographer>
    <orchestration>tape collage</orchestration>
    <performer>Cliff Keuter &#38; Dance Company</performer>
    <firstperf>Dance Uptown (Minor Lathan Playhouse), 1969</firstperf>
    <commissioned>commissioned by: Cliff Keuter</commissioned>
  </work>
  <work>
    <title>The Duchess of Malfi: Toby Armour Her Toy</title>
    <titledate>(1969)</titledate><category>TAPE MUSIC</category>
    <duration>19'15"</duration>
    <choreographer>choreography: Toby Armour</choreographer>
    <orchestration>musique concrète</orchestration>
    <performer>Toby Armour</performer>
    <firstperf>The Cubiculo, August, 1970</firstperf>
  </work>
  <work>
    <title>Commonplace Book or A Salute To Our American Container Corp</title>
    <titledate>(1969)</titledate><category>TAPE MUSIC</category>
    <duration>23'30"</duration>
    <orchestration>concrète/collage</orchestration>
    <firstperf>MUSIC HERE AND NOW Museum of Fine Arts, Boston, 1973</firstperf>
  </work>
  <work>
    <title>A Frank Overture. Four Dented Interludes. And Coda</title>
    <titledate>(1969)</titledate><category>TAPE MUSIC</category>
    <duration>9'53"</duration>
    <choreographer>choreography: James Waring (Spookride)</choreographer>
    <orchestration>concrète/collage</orchestration>
    <performer>Toby Armour &#38; Dancers</performer>
    <firstperf>Kresge Little Theatre, MIT, 1969</firstperf>
    <commissioned>commissioned by: Toby Amour</commissioned>
  </work>
  <work>
    <title>Alec</title>
    <titledate>(1968)</titledate><category>TAPE MUSIC</category>
    <duration>15"</duration>
    <orchestration>concrète/collage</orchestration>
    <choreographer>choreography: Toby Armour (Visions At the Death Of Alexander)</choreographer>
    <performer>Toby Armour &#38; Dancers</performer>
    <firstperf>Charles Street Meeting House, Boston, Nov., 1969</firstperf>
  </work>
  <work>
    <title>McDowell's Fault or The Tenth Sunday After Trinity</title>
    <titledate>(1968)</titledate><category>TAPE MUSIC</category>
    <duration>27'</duration>
    <choreographer>choreography: Toby Armour [unnamed church piece]</choreographer>
    <orchestration>tape collage</orchestration>
    <firstperf>Second Church of Boston, August, 1968</firstperf>
    <commissioned>commissioned by: Toby Amour</commissioned>
  </work>
  <work>
    <title>Antimatter: Three Dances for Toby</title>
    <titledate>(1968)</titledate><category>TAPE MUSIC</category>
    <duration>15'</duration>
    <choreographer>choreography: Toby Armour</choreographer>
    <orchestration>combine tape</orchestration>
    <performer>Toby Armour &#38; Dancers</performer>
    <firstperf>Charles Street Meeting House, Boston, June 1968</firstperf>
    <commissioned>commissioned by: Toby Amour</commissioned>
  </work>
  <work>
    <title>Music for Sakoku</title>
    <titledate>(1963)</titledate><category>TAPE MUSIC</category>
    <duration>35'</duration>
    <orchestration>electronic/concrète</orchestration>
    <performer>SAKOKU [TV play by Oda Makoto]</performer>
    <firstperf>NHK-TV, Tokyo, Channel 1, April 1963</firstperf>
    <commissioned>commissioned by: NHK-TV</commissioned>
  </work>
  <work>
    <title>Music for the Kubla Khan of Coleridge II</title>
    <titledate>(1959)</titledate><category>TAPE MUSIC</category>
    <note>[SEE ALSO Music for the Kubla Khan of Coleridge I (1959) in TWELVE-NOTE COMPOSITIONS]</note>
    <orchestration>collage reciter &#38; tape</orchestration>
  </work>
</listofworks>
