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<listofworks>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>ORCHESTRAL MUSIC</category>
    <title>Le Tombeau d'Albers</title>
    <titledate>(1958)</titledate>
    <duration>5'</duration>
    <orchestration>222(bs)2(contra); perc/harp/strs</orchestration>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>ORCHESTRAL MUSIC</category>
    <title>Three Songs</title>
    <titledate>(1958)</titledate>
    <duration>7'30"</duration>
    <publisher>Frogpeak</publisher>
    <text>texts: Marvell, Herrick, Jonson</text>
    <orchestration>tenor, 222(eb, bs) 2/2200,glock, vib, pno, strs</orchestration>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>CHAMBER MUSIC</category>
    <title>Slow Hiccups</title>
    <titledate>(1975)</titledate>
    <duration>2'30"</duration>
    <publisher>Frogpeak</publisher>
    <performer>Dinosaur Annex, (Kathy Matasy, Larry Scripp, clts.)</performer>
    <orchestration>2 equal melody instruments</orchestration>
    <firstperf>Peabody School, Cambridge, Mass. Nov. 1976</firstperf>
  </work>
  <work>
    <title>SLOW HICCUPS IN RETROGRADE INVERSION</title>
    <orchestration>2 equal melody instruments</orchestration>
    <performer>Dinosaur Annex, (Kathy Matasy, Larry Scripp, clts.)</performer>
    <firstperf>Peabody School, Cambridge, Mass. Nov. 1976</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>CHAMBER MUSIC</category>
    <title>Grave Dance</title>
    <titledate>(1975)</titledate>
    <duration>2'</duration>
    <publisher>Frogpeak</publisher>
    <note>SEE ALSO Grave Dance 
    <titledate>(1958)</titledate>in PIANO MUSIC</note>
    <orchestration>2 vlns, vla (or vln), vlnc, pno</orchestration>
    <performer>Dinosaur Annex</performer>
    <firstperf>Ist &#38; IInd Church, Boston, Jan 1978</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>CHAMBER MUSIC</category>
    <title>String Quartet</title>
    <titledate>(1959)</titledate>
    <duration>15'</duration>
    <publisher>Frogpeak</publisher>
    <orchestration>string quartet</orchestration>
    <performer>Beaux Arts Quartet</performer>
    <firstperf>MUSIC IN OUR TIME, N.Y.,1960</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>CHAMBER MUSIC</category>
    <title>Music for the Kubla Khan of Coleridge I</title>
    <titledate>(1999)</titledate>
    <duration>10'</duration>
    <note>SEE ALSO Music for the Kubla Khan of Coleridge II 
    <titledate>(1959)</titledate>in TAPE MUSIC</note>
    <orchestration>reciter, gamelan, chamber ensemble</orchestration>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>CHAMBER MUSIC</category>
    <title>12 Arabesques</title>
    <titledate>(1957)</titledate>
    <duration>5'</duration>
    <orchestration>vlnc, pno</orchestration>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>CHAMBER MUSIC</category>
    <title>Sonata</title>
    <titledate>(1957)</titledate>
    <duration>8'</duration>
    <reclabel>NW 80709</reclabel>
    <publisher>Frogpeak</publisher>
    <orchestration>vlnc, pno</orchestration>
    <performer>Seymour Barab, vlnc; Gilbert Kalish, pno</performer>
    <firstperf>COMPOSERS FORUM, N.Y., 1959</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>PIANO MUSIC</category>
    <title>Büchlein for Lyon</title>
    <titledate>(1962)</titledate>
    <duration>15'</duration>
    <publisher>Frogpeak</publisher>
    <orchestration>pno</orchestration>
    <performer>Lawrence Smith, pno</performer>
    <firstperf>MUSIC IN OUR TIME, N.Y., 1962</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>PIANO MUSIC</category>
    <title>Grave Dance</title>
    <titledate>(1958)</titledate>
    <duration>2'</duration>
    <publisher>Frogpeak</publisher>
    <note>SEE ALSO Grave Dance 
    <titledate>(1975)</titledate>in CHAMBER MUSIC</note>
    <orchestration>pno</orchestration>
    <performer>Rodney Lister, pno</performer>
    <firstperf>Ist &#38; IInd Church, Boston, Jan 1978</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>PIANO MUSIC</category>
    <title>Sonatine</title>
    <titledate>(1957)</titledate>
    <duration>7'</duration>
    <reclabel>NW 80709</reclabel>
    <publisher>Frogpeak</publisher>
    <orchestration>pno</orchestration>
    <performer>James workman, pno</performer>
    <firstperf>KPFA, 1957 (8?)</firstperf>
  </work>
   <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>PIANO MUSIC</category>
    <title>Masque (2-PIANO VERSION:)</title>
    <titledate>(1955)</titledate>
    <duration>20'</duration>
    <performer>Halprin-Lathrop Dance Company</performer>
    <firstperf>Marine Memorial Theater, S.F. 1956</firstperf>
    <orchestration>2 pno</orchestration>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>Three Cradle Songs</title>
    <titledate>(1958)</titledate>
    <duration>2'45"</duration>
    <orchestration>mezzo soprano, guitar, 2 clts.</orchestration>
    <performer>Dinosaur Annex; Laurel Stavis, mezzo</performer>
    <firstperf>Ist &#38; IInd Church, Boston, Jan 1978</firstperf>
  </work>
  <work>
  <mode>TWELVE-note COMPOSITIONS</mode>(1951/75) 
  <category>VOCAL/CHORAL MUSIC</category>
  <title>Chanson d'aventure: Nou Sprinkes the Sprai</title>
  <titledate>(1958)</titledate>
  <duration>2'30"</duration>
  <publisher>Frogpeak</publisher>
  <orchestration>tenor, hpschd</orchestration>
  <performer>Robert MacKinnon, ten; Albert Fuller, hpschd</performer>
  <firstperf>Composers workshop, Yale, 1951</firstperf></work>
  <work>
  <mode>TWELVE-note COMPOSITIONS</mode>(1951/75) 
  <category>VOCAL/CHORAL MUSIC</category>
  <title>Chanson d'aventure: Nou Sprinkes the Sprai</title>
  <titledate>(1958)</titledate>
  <duration>2'30"</duration>
  <publisher>Frogpeak</publisher>
  <orchestration>tenor, pno</orchestration>
  <performer>Dinosaur Annex: Raymond Hardin,ten; Rodney Lister, pno</performer>
  <firstperf>Ist &#38; IInd Church, Boston, Jan 1978</firstperf></work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>The Temptations at the Siege of Air and Darkness</title>
    <titledate>(1975)</titledate>
    <text>text: T.H.White</text>
    <orchestration>voices, pno, optional instruments</orchestration>
    <performer>Rodney Lister, cond.</performer>
    <firstperf>Heathland School, London, May, 1975</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>Madame Mim's Work Song</title>
    <titledate>(1975)</titledate>
    <duration>3'</duration>
    <publisher>Frogpeak</publisher>
    <text>text: T.H.White</text>
    <orchestration>soprano, pno</orchestration>
    <performer>Rodney Lister, cond</performer>
    <firstperf>Sir James Barrie Junior School, London, 1975</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>The Bewties of the Futeball</title>
    <titledate>(1974)</titledate>
    <duration>2'</duration>
    <publisher>Frogpeak</publisher>
    <text>text: anon Scottish, 15&#8212;</text>
    <orchestration>5-part childrens chorus, piano, w/optional recorders</orchestration>
    <performer>Cambridge Chorale; Scott Wheeler, cond</performer>
    <firstperf>Ist &#38; IInd Church, Boston, May 1977</firstperf>
    <work>
      <mode>TWELVE-note COMPOSITIONS</mode>
      <category>VOCAL/CHORAL MUSIC</category>
      <title>The Bewties of the Futeball</title>
      <titledate>(1974)</titledate>
      <duration>2'</duration>
      <publisher>Frogpeak</publisher>
      <text>text: anon Scottish, 15&#8212;</text>
      <orchestration>SSATB w/optional flt, ob, fr. hrn, trbn, 2 pnos, metal idiophones</orchestration>
    </work>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>Three Songs (Cantata 1960)</title>
    <duration>7'30"</duration>
    <publisher>Frogpeak</publisher>
    <note>SEE UNDER ORCHESTRAL MUSIC</note>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>Sieben Spencer-Lieder</title>
    <titledate>(1960)</titledate>
    <duration>5'</duration>
    <text>texts: Sylvia Spencer</text>
    <orchestration>sop, pno</orchestration>
    <performer>Anne Bowers, sop; Randolph Mickelson,hpschd.</performer>
    <firstperf>The Living Theater, N.Y, 1960</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>What God Is Like To Him I Serve?</title>
    <titledate>(1958)</titledate>
    <duration>2'40"</duration>
    <publisher>Frogpeak</publisher>
    <text>text: Mistress Anne Bradstreet</text>
    <orchestration>SATB. unacc</orchestration>
    <performer>Birmingham-Southern College Choir; Hugh Thomas, cond.</performer>
    <firstperf>Birmingham-Southern College, 1976</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>Brief Glimpses Into Contemporary French Literature</title>
    <titledate>(1957)</titledate>
    <text>texts: David Stacton</text>
    <orchestration>4 countertenors, pno</orchestration>
    <performer>Dinosaur Annex</performer>
    <firstperf>Old South Meeting House, Boston, 1975</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>[Two Folk Songs]</title>
    <titledate>(1958)</titledate>
    <duration>5'</duration>
    <publisher>Frogpeak</publisher>
    <subtitle>The Streets of Laredo</subtitle>
    <subtitle>Charles Guiteau</subtitle>
    <orchestration>baritone, pno</orchestration>
    <performer>Robert Kuhn, bar; Stephen Mayr, pno</performer>
    <firstperf>Carnegie Recital Hall, 1972</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>Mass</title>
    <titledate>(1955)</titledate>
    <duration>10'</duration>
    <publisher>Frogpeak</publisher>
    <orchestration>SSAAATTB, unacc</orchestration>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>VOCAL/CHORAL MUSIC</category>
    <title>Chamber Cantata on Chinese Poems</title>
    <titledate>(1954)</titledate>
    <duration>8'45"</duration>
    <publisher>Frogpeak</publisher>
    <text>texts: Anon, Wang Wu-Shih, Su Shih, Wang Wei, Su Ting, Li Po, Pai, Yu-Chen</text>
    <orchestration>tenor, flt, clt (bss), vla, vlnc, hpschd</orchestration>
    <performer>Earl Rogers, ten; chamber ensemble</performer>
    <firstperf>COMPOSERS FORUM, N.Y., 1959</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (VOCAL)</category>
    <title>The Walrus and the Carpenter</title>
    <titledate>(1975)</titledate>
    <duration>15'</duration>
    <text>text: Lewis Carroll</text>
    <orchestration>speaker, 6 woodblocks</orchestration>
    <choreographer>choreography: Toby Armour</choreographer>
    <performer>New England Dinosaur</performer>
    <firstperf>Kresge Little Theatre, MIT, Dec., 1975</firstperf>
    <commissioned>commissioned by: Cambridge Arts Council</commissioned> 
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (VOCAL)</category>
    <title>The Owl and the Pussycat</title>
    <titledate>(1975)</titledate>
    <duration>12'</duration>
    <text>text: Lewis Carroll</text>
    <orchestration>bass, chromatic harmonica, electric guitar</orchestration>
    <choreographer>choreography: Toby Armour</choreographer>
    <performer>New England Dinosaur</performer>
    <firstperf>Kresge Little Theatre, MIT, Dec., 1975</firstperf>
    <commissioned>commissioned by: Cambridge Arts Council</commissioned> 
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (VOCAL)</category>
    <title>Mugs McGhee's Last Song</title>
    <titledate>(1970)</titledate>
    <text>text: Arthur Williams (DREAMS FOR SALE)</text>
    <orchestration>mezzo-sop, pno, page-turner</orchestration>
    <performer>Arlene Rothlein, mezzo; David Tice, pno; John Herbert McDowell, page-turner</performer>
    <firstperf>The Open Space, N.Y., April 1970</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (VOCAL)</category>
    <title>Lion At The Door</title>
    <titledate>(1969)</titledate>
    <duration>1'30"</duration>
    <text>text: Vera Nemchinova</text>
    <orchestration>unacc. voice(s)</orchestration>
    <choreographer>choreography: Aileen Pasloff (HOPES AND FEARS)</choreographer>
    <performer>Toby Armour and Dancers</performer>
    <firstperf>Lehman Hall, Harvard Univ, March 1969</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (VOCAL)</category>
    <title>Cats Cradle</title>
    <titledate>(1969)</titledate>
    <duration>8'</duration>
    <text>texts: Kurt Vonnegut</text>
    <orchestration>chorus, 2 flts, 2 clts, trpt, trbn, perc</orchestration>
    <performer>Ina Hahn Dance Company</performer>
    <firstperf>Loeb Drama Center, Harvard Univ, March 1969</firstperf>
    <commissioned>commissioned by: Ina Hahn</commissioned> 
    <note>(THE SACRAMENT ACCORDING TO THE BOOKS OF BOKONON)</note>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (INSTRUMENTAL)</category>
    <title>Music for The Ticklish Acrobat</title>
    <titledate>(1957)</titledate>
    <duration>15'</duration>
    <orchestration>oboe, celeste, xylophone</orchestration>
    <firstperf>Actors workshop, S.F., Calif, 1957</firstperf>
    <commissioned>commissioned by: The Actor's Workshop, S.F.</commissioned>
  </work>
   <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (INSTRUMENTAL)</category>
    <title>Masque</title>
    <titledate>(1955)</titledate>
    <duration>20'</duration>
    <orchestration>chamber orchestra</orchestration>
    <firstperf>Mills College, Oakland California, 1956</firstperf>
    <choreographer>choreographer: Welland Lathrop</choreographer>
    <commissioned>commissioned by:  Welland Lathrop</commissioned>
  </work>
 
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (INSTRUMENTAL)</category>
    <category>ORCHESTRA MUSIC</category>
    <title>Music for The Ticklish Acrobat, (ORCHESTRA VERSION, Second Movement:)</title>
    <titledate>(1957)</titledate>
    <duration>15'</duration>
    <orchestration>chamber orchestra</orchestration>
    <firstperf>Mills College, Oakland, Calif., 1956</firstperf>
  </work>
  <work>
    <mode>TWELVE-note COMPOSITIONS</mode>
    <category>THEATER MUSIC (INSTRUMENTAL)</category>
    <category>ORCHESTRA MUSIC</category>
    <title>Music for The Trojan Women</title>
    <titledate>(1955)</titledate>
    <orchestration>chamber orchestra</orchestration>
    <firstperf>Mills College, 1955</firstperf>
    <commissioned>commissioned by: Arch Lauterer</commissioned>
  </work>
</listofworks>
